Bitter Sweet Symphony
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| "Bitter Sweet Symphony" | ||||
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| Single by The Verve | ||||
| from the album Urban Hymns | ||||
| Released | 16 June 1997 | |||
| Format | ||||
| Recorded | 1996 | |||
| Studio | Olympic Studios, London | |||
| Genre | ||||
| Length |
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| Label | Hut | |||
| Songwriter(s) | ||||
| Producer(s) |
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| The Verve singles chronology | ||||
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| Audio sample | ||||
A sample from "Bitter Sweet Symphony" by The Verve
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| Music video | ||||
| "Bitter Sweet Symphony" on YouTube | ||||
"Bitter Sweet Symphony" is a song by British alternative rock band The Verve, and is the lead track on their third studio album, Urban Hymns (1997). It is based on an Andrew Loog Oldham orchestral version of The Rolling Stones' song "The Last Time", from which it samples a main theme, and involved some legal controversy surrounding a plagiarism charge as a result. Consequently, Mick Jaggerand Keith Richards were added to the songwriting credits. "Bitter Sweet Symphony" was released on 16 June 1997 by Hut Recordingsas the first single from the album, reaching number two on the UK Singles Chart and stayed in the chart for three months.[1] The song's momentum built slowly in the US throughout the latter months of 1997, ultimately leading to a CD single release on 3 March 1998 by Virgin Records America, helping the song to reach number 12 on the Billboard Hot 100.[2]
MTV played the video of the song frequently. In it, Richard Ashcroft sings the song while walking down a busy London pavement, oblivious to what is going on around and refusing to change his stride or direction throughout.[3][4] At the 1998 Brit Awards, "Bitter Sweet Symphony" was nominated for Best British Single, and at the 1998 MTV Video Music Awards, the song was nominated for Video of the Year, Best Group Video, and Best Alternative Video.[5][6] In 1999, the song was nominated for the Grammy Award for Best Rock Song.[7]
Contents
[show]Song credits[edit]
Although the song's lyrics were written by Verve vocalist Richard Ashcroft, its distinctive passage for strings was sampled from the 1965 Andrew Oldham Orchestra symphonic recording of "The Last Time", arranged and written by David Whitaker, inspired by the 1965 Rolling Stones' song of the same title.[8][9] The Rolling Stones' song is itself strongly inspired from "The Last Time" from the Staple Singers.[10]
Originally, The Verve had negotiated a licence to use a six-note sample from the Oldham recording, but former Stones manager Allen Klein (who owned the copyrights to the band’s pre-1970 songs) claimed that The Verve broke the agreement and used a larger portion.[11][12] Despite its original lyrics and string intro (by Wil Malone and Ashcroft), the music of "Bitter Sweet Symphony" was sampled from the Oldham track, which led to a lawsuit with ABKCO Records, Klein's holding company, and eventually settled out of court. The Verve relinquished all of their royalties to Klein, owner of ABKCO Records, whilst songwriting credits were changed to Jagger/Richards/Ashcroft.[13]
The Verve bassist Simon Jones said, "We were told it was going to be a 50/50 split, and then they saw how well the record was doing. They rung up and said we want 100 percent or take it out of the shops, you don't have much choice."[14] After losing the composer credits to the song, Ashcroft commented, "This is the best song Jagger and Richards have written in 20 years",[15] noting it was their biggest UK hit since "Brown Sugar".[14] On Ashcroft's return to touring, the song traditionally ended the set list. Ashcroft also reworked the single for VH2 Live for the music channel VH1, stripping the song of its strings. Ashcroft is quoted as saying during the show: "It's very interesting stripping that song down and actually taking away all the strings, and just taking it down to the chords and my lyrics and my melody, and doing that kinda version it becomes much more bluesy. Also shows that ultimately take away the dressing, take away the strings, take away the sample, there's an actual song there."[16]
In a 1999 interview with Q magazine, when asked whether he believed the result was fair, Keith Richards replied, "I'm out of whack here, this is serious lawyer shit. If The Verve can write a better song, they can keep the money."[17][18]
In 1999, Andrew Oldham also sued for royalties after failing to receive the mechanical royalties he claimed he was owed.[19] After receiving his royalties, Oldham joked that he bought "a pretty presentable watch strap" compared to the watch Jagger and Richards would get with the money. In an interview with Uncut Magazine, Oldham stated, "As for Richard Ashcroft, well, I don't know how an artist can be severely damaged by that experience. Songwriters have learned to call songs their children, and he thinks he wrote something. He didn't. I hope he's got over it. It takes a while."[20]
Production[edit]
"This was certainly the most successful track I've done," noted producer Youth. "I think Richard had actually cut a version with John Leckie but, by the time I came on board, he didn't want to do the song. I persuaded him to have a go at cutting a version but at first he wasn't really into it. It was only once we'd put strings on it that he started getting excited. Then, towards the end, Richard wanted to chuck all the album away and start again. What was my reaction? Horror. Sheer horror. All I could say was, I really think you should reconsider."[21]
Music video[edit]
The scripted, 50+ cut music video (directed by Walter A. Stern) is an homage to the single continuous shot docu-fiction music video for Massive Attack's "Unfinished Sympathy" and focuses on Ashcroft lip-synching the song while walking down a busy London pavement, refusing to change his stride or direction throughout (oblivious to what is going on around him), except for one instance where he is forced to stop for a moving car and a reflection is seen of him standing stationary in the car's tinted window.[4] He repeatedly bumps into passers-by in a laddish-like fashion (causing one young woman to lose balance and fall), narrowly avoids being hit by a car, and jumps on top of the bonnet of another vehicle stopped in his path (the driver gets out of her car and proceeds to confront him, while he continues unflinchingly). At the end of the video, the rest of The Verve join Ashcroft, and the final shot sees them walking down the street into the distance. This then leads into the beginning of the video for "The Drugs Don't Work".[22] The music video was nominated for a number of awards, including three MTV Awards at the 1998 MTV Video Music Awards.[6]
Ashcroft starts walking from the southeast corner of the intersection of Hoxton and Falkirk Streets in Hoxton, North London,[23] subsequently proceeding north along the east side of Hoxton Street until he reaches Hoxton Gardens. He then crosses to the corner of Purcell Street and walks back the way he came, before being joined by the rest of the band at the corner of Crondall Street, opposite where he started. The British comedy band Fat Les would later release a direct parody for their 1998 song "Vindaloo", an alternative anthem for England at the 1998 FIFA World Cup, where Paul Kaye takes the role of an Ashcroft look-alike who is mocked by a growing group of passersby as the video progresses.[24]
Live 8[edit]
On 2 July 2005, at the Live 8 concert in Hyde Park, London, Coldplay invited Ashcroft to perform the song with them in their set. They played it after only one rehearsal in Crystal Palace. Ashcroft was introduced by Chris Martin as "the best singer in the world" and he described the song as "the best song ever written". On 25 December 2005, a documentary entitled Live 8: A Bitter Sweet Symphony was aired reliving moments of the day featuring a portion of Ashcroft's performance as the music for the show's opening soundtrack.[25]
Accolades[edit]
Regarded as the band's signature song and one of the defining tracks of the Britpop era, "Bitter Sweet Symphony" has featured in best ever song polls; in 1998, BBC Radio 1listeners voted it the third Best Track Ever.[26] The same year, "Bitter Sweet Symphony" was named the third-best single of 1997 by New York City weekly The Village Voice's Pazz & Jop annual critics' poll. In 2004, Rolling Stone ranked it number 392 on their list of "The 500 Greatest Songs of All Time".[27] In 2007, NME magazine placed the song at number 18 in its list of the "50 Greatest Indie Anthems Ever".[28] In September 2007, a poll of 50 songwriters in Q magazine placed it in a list of the "Top 10 Greatest Tracks".[29] In the Australian Triple J Hottest 100 of All Time, 2009, the track was voted the 14th best song of all time.[30] Pitchfork Media included the song at number 29 on their "Top 200 Tracks of the 90s" list.[31] The publication also included "Bitter Sweet Symphony" in its collection of The Pitchfork 500.[32] In 2011, NME placed it at number 9 on its list "150 Best Tracks of the Past 15 Years".[33] The song featured at number one in Paste magazine's poll of the 25 awesome one-hit wonders of the 1990s.[34]
In popular culture[edit]
 | This article appears to contain trivial, minor, or unrelated references to popular culture. (April 2017) |
Film and television[edit]
- In 2015, the song was mentioned in a second season episode of Mozart in the Jungle, an Amazon Series, by Rodrigo before he and Thomas indulge in mushroom and frog gland Psychedelics... calling out the Bitter Sweet Symphony, with Rodrigo saying "The Verve, yes, excellent!"
- In 1999, the song was used as the final song in the teen film Cruel Intentions and is included on the film's soundtrack.[35]
- Also in 1999, the song was mentioned in the tenth episode of the first season of Charmed, 'Wicca Envy', when Rex says he is friends with The Verve, and Phoebe claims that the track "is, like, the best song ever."
- The song appears in an episode of the television series The Simpsons in the episode titled "That '90s Show."[36]
- Megan Hilty performed a cover of the song in "The Surprise Party", the tenth episode of the second season of Smash.
- Nike commercial in early 1998.[37] "Two weeks after the Nike commercial debuted, during the NFL playoffs, the Verve's Urban Hymns jumped thirty-four spots on the Billboard 200, hitting Number Thirty-six, the album's highest point since its release last September. Summers concedes that the ad may help generate the Verve's U.S. breakthrough: "If this music is being played during football games and 20 million people are listening to it for a minute, it's going to have an effect.""
Sports[edit]
- Since 2008, the song has been used by ITV as the background music to the opening sequence for England's international football matches; the qualifiers for the 2010 FIFA World Cup, and UEFA Euro 2012.[38]
- The Seattle Seahawks have been using the song as their entrance music at home games for more than a decade. Most recently, the song was used as the entrance music for the team during the pre-game festivities at Super Bowl XLIX, played at University of Phoenix Stadium in Glendale, Arizona to conclude the 2014 season. It was also used by the Seahawks during the franchise's first Super Bowl appearance at Super Bowl XL, played at Ford Field in Detroit, Michigan to conclude the 2005 season, and also during the franchise's second Super Bowl appearance at Super Bowl XLVIII, played at MetLife Stadium in East Rutherford, New Jersey to conclude the 2013 season.
- Super League club Wigan Warriors also use a version of the song as entrance music at the DW Stadium.
- The New Jersey Devils use this song after a home loss at the Prudential Center along with "Closing Time" by Semisonic.
Video games[edit]
- In 2009, DJ Hero remixed the "Aranbee Pop Symphony Orchestra" instrumental version of this song, with "All Eyez on Me" by 2Pac and "Rock the Bells" by LL Cool J.
Cover versions[edit]
- American recording artist Beyoncé Knowles mashed the song with her own "If I Were a Boy" during the set list of her The Mrs. Carter Show World Tour (2013). The string motif of "Bitter Sweet Symphony" was used during the performances.[39]
- American recording artist Madonna used a sample of the song on her 2001 hit "Don't Tell Me" while on her 2004 Re-Invention World Tour.
- Nu metal band Limp Bizkit also mashed this with their cover of "Home Sweet Home" by Mötley Crüe, with Home Sweet Home/Bittersweet Symphony.
- Ace Enders and a Million Different People did a cover in 2008 with Mark Hoppus, Matt Thiessen, Craig Owens, Alex Gaskarth, Kenny Vasoli, Bryce Avary, Aaron Marsh & Duane Okun.
- Megan Hilty performed a cover of the song in "The Surprise Party", the tenth episode of the second season of Smash.
- Australian artist E^ST performed a cover on 25th Sept 2015 for Aussie radio station Triple J during the Like A Version segment on the Matt & Alex Breakfast Show
Track listings[edit]
- CD 1 HUTDG 82
- "Bitter Sweet Symphony" (original) – 6:00
- "Lord I Guess I'll Never Know" – 4:51
- "Country Song" – 7:50
- "Bitter Sweet Symphony" (radio edit) – 4:35
- CD 2 HUTDX 82
- "Bitter Sweet Symphony" (extended version) – 7:52
- "So Sister" – 4:11
- "Echo Bass" – 6:39
- Cassette HUTC 82
- "Bitter Sweet Symphony" (radio edit) – 4:35
- "Lord I Guess I'll Never Know" – 4:51
- 7" HUTLH 82
- "Bitter Sweet Symphony" (radio edit) – 4:35
- "Lord I Guess I'll Never Know" – 4:51
- 12" HUTT 82
- "Bitter Sweet Symphony (original) – 6:00
- "Lord I Guess I'll Never Know" – 4:51
- "Bitter Sweet Symphony" (James Lavelle Remix)
- "Country Song" – 7:50
- Promo CD HUTCDP 82
- "Bitter Sweet Symphony" (radio edit) – 4:35
- Promo 12" HUTTP 82
- "Bitter Sweet Symphony" (alt version)
- "Bitter Sweet Symphony" (MSG)
- Remix 12" HUTTR 82
- "Bitter Sweet Symphony" (James Lavelle Remix)
- "Bitter Sweet Symphony" (James Lavelle Instrumental Remix)
US version[edit]
On 10 March 1998 Bitter Sweet Symphony was released in the United States. The single was distributed by Virgin Records.
- CD V25D-38634
- "Bitter Sweet Symphony" (original) – 5:58
- "Lord I Guess I'll Never Know" – 4:52
- "So Sister" – 4:11
- "Echo Bass" – 6:39
- Cassette 4KM-38634
- "Bitter Sweet Symphony" (original) – 5:58
- "Lord I Guess I'll Never Know" – 4:52
- Promo CD DPRO-12727
- "Bitter Sweet Symphony" (radio edit) – 4:16
- "Bitter Sweet Symphony" (original) – 5:57
- "Bitter Sweet Symphony" (Call Out Research Hook 1 Vocal) – 0:12
- "Bitter Sweet Symphony" (Call Out Research Hook 2 Instrumental) – 0:11
- Promo 12" SPRO-12775
- "Bitter Sweet Symphony" (James Lavelle Remix) - 5:50
- "Bitter Sweet Symphony" (album version) – 5:57
- "Bitter Sweet Symphony" (James Lavelle Instrumental Remix) - 5:50
Japanese version[edit]
- CD VJCP-12077
- "Bitter Sweet Symphony" (original) – 6:00
- "Lord I Guess I'll Never Know" – 4:51
- "Country Song" – 7:50
- "Bitter Sweet Symphony" (radio edit) – 4:35
Dutch version[edit]
- CD 8943752
- "Bitter Sweet Symphony" (original) – 6:00
- "Lord I Guess I'll Never Know" – 4:51
- "Country Song" – 7:50
- "Bitter Sweet Symphony" (radio edit) – 4:35
Electro version[edit]
- Dayze – "Bitter Sweet Symphony" (Original mix) – 6:13
Charts[edit]
Weekly charts[edit]
| Year-end charts[edit]
|
Certifications[edit]
| Region | Certification |
|---|---|
| Australia (ARIA)[44] | Gold |
| France (SNEP)[45] | Silver |
| Italy (FIMI)[46] | Gold |
| United Kingdom (BPI)[47] | Platinum |
| United States (RIAA)[48] | Gold |
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