Background and composition[edit]
"Into You" was written by
Max Martin,
Savan Kotecha,
Alexander Kronlund,
Ilya Salmanzadeh and
Ariana Grande, with production, programming, keys, guitar, bass, percussion and background vocals handled by Martin and Ilya; Kotecha also provided background vocals. According to the sheet music published at Musicnotes.com by
Universal Music Publishing Group, "Into You" is written in the key of
F♯ minor in
common time with a
tempo of 108 beats per minute. Grande's vocals span two octaves, 5 notes, and 1 semitone, from F
♯3 to E6.
[1] "Into You" is a
dance-pop song,
[2][3] with elements of
EDM, "a thudding club beat, lurking synths and sharp clicks."
[4] It starts with "a minimal club beat" before "crescendoing into [a] thumping chorus,"
[5] where "an uptempo disco backline explodes into a monstrous club-ready hook," as noted by
Complex's Jessie Morris.
[6] Jessica Goodman of
Entertainment Weekly added that the song also has "new-age
disco beats."
[7]
Lyrically, the song has Grande singing of "waiting for her love interest to stop the conversation and finally make a move."
[2] During the song, as noted by
Plugged In's Adam R. Holz, Grande "brags that [she]'s up for any game her man wants to play ('So name a game to play, and I'll roll the dice, hey') and eventually trades coy flirtiness for more direct instructions ('So, baby, come light me up and maybe I'll let you on it') as she says she's on the verge of losing control ('I can't wait no more/I'm on the edge with no control')."
[8] Digital Spyeditor Lewis Corner noted the possible references to
Elvis Presley's "
A Little Less Conversation" and
Mariah Carey's "
Touch My Body" were made in the chorus, where both phrases appear together.
[4] Slant Magazine's Sal Cinquemani flet that the chorus of "Into You" referenced both "A Little Less Conversation" and "Touch My Body", and said that the song's refrain is similar to the refrain of
Jessie J's "
Burnin' Up".
[9]
Critical reception[edit]
Stephen Thomas Erlewine of
AllMusic picked the track as one of the album's highlights, noting that it was "a fruitful partnership with producer Max Martin and his colleague Ilya."
[10]Jamieson Cox of
The Verge stated that it "might be the catchiest song cut from the album to date," adding: "You can thank or blame pop god
Max Martin and his cabal of songwriters for those razor-sharp disco synths."
[11] Complex's Jessie Morris praised the overall production of the song, noting that "Grande travels down a rabbit hole of slinky vocals that simmers in some deep, throbbing production" and calling it "irresistible."
[12] Rachel Sonis of
Idolator said the song "might be her most scandalous one yet", and that it "is, simply put, a massive club tune." She also noted that "its monstrous
EDM-pop beat is reminiscent of
My Everything, and the song's catchy chorus will definitely have everyone on the dance-floor within seconds."
[13] Digital Spy's Lewis Corner called the song a "massive banger", saying that the song had "a solid earworm hook that is sure to dominate radio in the coming months".
[14] Jessica Goodman of
Entertainment Weekly also praised the "monstrous" hook and the chorus "that hears Grande hit high notes."
[7] Sarah Grant of
Rolling Stone added that the song "is primed for dance floor makeout sessions" and that "Grande swaggers with little affect in tight vocal range."
[15]
Larry Bartleet of
NME called it a "club anthem-to-be,"
[16] while Sal Cinquemani of
Slant Magazine named it a "standout".
[9] Quinn Moreland of
Pitchfork went on to call it "Grande's best single since '
Love Me Harder.'"
[17] Sasha Geffen of
MTV News observed that the track "brings more heat than anything we’ve heard from
Dangerous Woman so far, proving Ari hasn’t lost her touch for electric dance floor jams."
[18] Lisa Brown of
Billboard praised the "infectious distorted beats," declaring that "she still stays true to her sensual 'dangerous woman' inspiration."
[2] Hayden Wright of
Radio.com analysed that the song "combines pulsating electro beats with Grande’s iridescent vocals, a tried-and-true recipe for her biggest hits."
[3] Ed Masley of
The Arizona Republic said the single "hinges on a steamy, disco-flavored chorus that makes the most of Grande's sultry vocal presence," going on to note that Grande "gets a chance to re-assert her claim to the title of the new Mariah Carey while making the dancefloor feel the heat."
[19] Annie Zaleski of
The A.V. Club called it a "sultry" track, "whose sassy finger-snaps and inky production give way to the record’s best come-on."
[20] Theon Weber of
Spin declared that the song, "whose chorus pretty gracelessly squashes the gorgeous minimalism of its verses, redeems the floor-filling thud with a demand for 'a little less conversation and a little more touch my body.'"
[21]
Billboard ranked "Into You" at number 6 on their "100 Best Pop Songs of 2016" list: “
Dangerous Woman is rife with provocative lyrics, but the album's second single feels like the sexiest track of them all, because of its seductive bass and the 23-year-old singer’s alluring vocals.”
[22] Pitchfork would later list the song on their ranking of the 100 best songs of 2016 at number 82.
[23][24] In the annual
Village Voice's
Pazz & Jop mass critics poll of the year's best in music in 2016, "Into You" was ranked at number 21.
[25]
Commercial performance[edit]
"Into You" debuted on the US
Billboard Hot 100 at number 83,
[26] but fell off the chart in its second week. It re-entered and rebounded on the chart at number 51 in the week dated June 11, 2016 and then moved up to number 48 the following week.
[27] The single stayed near the top 40 for a few weeks before leaping from 41 to 33 in its ninth week on the chart.
[28] The single surged from number 33 to 24 the week after.
[29] In its thirteenth week on the chart, dated August 27, the song further climbed nine places from 22 to a new peak of number 13 in the US,
[30] aided in part by 69-cent sale-pricing in the
iTunes Store.
[31] Consequently, this became her second top 20 single from
Dangerous Woman.
In the United Kingdom, the song initially debuted on the
UK Singles Chart at number 44, but has since gone on to peak at number 14, making it her sixth UK top 20 single.
[32][33] In Australia, the song debuted at number 46 before climbing to number 19. It eventually peaked at number eleven, where it remained for three non-consecutive weeks.
[34] In New Zealand, "Into You" reached the top-ten, peaking at number nine, in its seventh week. It became her fourth top-ten single and first since "
Bang Bang" (2014).
[35]
Music video[edit]
Synopsis[edit]
The music video begins with the title "Into You" on the screen with a desert background. Several shots of Grande are shown of her in the desert, while others show her riding on the back of a motorcycle with the guest star Don Benjamin. The video continues with them being together and then entering a motel titled "Honeymoon Inn". Various shots show the two hanging out and being playful inside and out the motel. The video switches to Grande being in a party filled with other people and a man who may represent one of her ex-boyfriends or her husband. In the party, Grande is interested in other things but the man pulls her arm and she unwillingly smiles at the cameras. Grande and Benjamin, who is apparently one of the man's bodyguards, make eye contact while Grande sees the other man kiss and hug other women. Grande then gets up and leaves with Benjamin following behind her. They then stay together after the party and the video concludes with Grande riding on the back of a motorcycle with Benjamin as shown in the beginning.
[40]
Live performances[edit]
Grande released a remix of the song featuring American rapper
Mac Miller on August 6, 2016, exclusively on
SoundCloud but later made it available for digital download.
[47] The two have previously collaborated on Grande's 2013 single, "
The Way" and later collaborated on Miller's "
My Favorite Part". Another remix was released to digital retailers by 3LAU shortly afterwards. The song has also been unofficially remixed many times by fans and remixers alike.
Credits and personnel[edit]
- Recording and management
- Personnel
- Ariana Grande – lead vocals, songwriting
- Max Martin – songwriting, production, programming, keyboard, guitar, bass, percussion, background vocals
- Savan Kotecha – songwriting, background vocals
- Ilya Salmanzadeh – songwriting, production, programming, keyboard, guitar, bass, percussion, background vocals
- Serban Ghenea – mixing
|
- Peter Karlsson – vocal editing
- Sam Holland – engineering
- John Hanes – mixing engineering
- Tom Coyne – mastering
- Aya Merrill – mastering
- Wendy Goldstein – A&R
- Scooter Braun – A&R
|
Track listing[edit]
1. | "Into You" (3LAU Remix) | 3:17 |
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications and sales[edit]
Radio and release history[edit]
No comments:
Post a Comment