Madonna - Love Don't Live Here Anymore

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Love Don't Live Here Anymore

From Wikipedia, the free encyclopedia
"Love Don't Live Here Anymore"
Rose royce love dont live here anymore.jpg
Artwork for Dutch release
Single by Rose Royce
from the album Rose Royce III: Strikes Again!
B-side"Do It, Do It"
ReleasedNovember 11, 1978
FormatVinyl single
Recorded1978
GenreSoul
LabelWhitfield Records
Songwriter(s)Miles Gregory
Producer(s)
Rose Royce singles chronology
"I'm in Love (And I Love the Feeling)"
(1978)
"Love Don't Live Here Anymore"
(1978)
"First Come, First Serve"
(1979)
"Love Don't Live Here Anymore" is a song written by Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album Rose Royce III: Strikes Again! The song was developed as a result of producer Whitfield's interest to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory was undergoing medications for his deteriorating physical health became the inspiration behind the song. "Love Don't Live Here Anymore" incorporated the use of the Electronic LinnDrum machine, and was one of the first songs to effectively use the sound reverbs of the instrument. The song was mainly recorded at music contractor Gene Bianco's house, where Dickey was present during the recording.
After its release, the song was critically appreciated, but was only moderately successful commercially. It reached a peak of 32 on the Billboard Hot 100 and five on the Hot Black Singles chart. Its highest position was in the United Kingdom, where it reached two. "Love Don't Live Here Anymore" has been covered by a number of artists, including MadonnaMorrissey–Mullen and Faith Evans. Madonna's version was included in her second studio album Like a Virgin (1984), and it was the idea of Michael Ostin, the head of the A&R department of Warner Bros. Records, that Madonna record a cover version of the song to include in the album. A remix of Madonna's cover was included in her 1995 ballad compilation album Something to Remember.
The original and the remixed version of the Madonna song differs in the usage of more classical instruments in the latter. The 1995 version also received a number of club remix treatments. Critics were not impressed with the version present in Like a Virgin, calling it "awful", while they warmed to the version present in Something to Remember. However, it was a commercial disappointment, reaching a peak of only 78 on the Billboard Hot 100. It was promoted by a music video shot by Jean-Baptiste Mondino, which portrayed Madonna in an empty suite of an abandoned hotel, and was shot in a single take.

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Background and music[edit]

Producer Norman Whitfield had always wanted to work with Paul Buckmaster, the British arranger and composer. One day he called Buckmaster and invited him to work on some recordings he had finished.[1] After meeting, they decided to contact songwriter Miles Gregory to use one of his songs for Whitfield's record group Rose Royce. Buckmaster found that Gregory was under medication from overuse of drugs and "was in considerable discomfort, if not in outright pain. He didn't write a song and dance about his pain, but I remember him sitting at the piano and wincing. So before jumping on the thing that Miles was merely indulging himself and writing, one has to remember that the guy was in a lot of pain."[1] Nevertheless, Whitfield and Buckmaster encouraged Gregory to write the song and the result was "Love Don't Live Here Anymore", inspired by Gregory's own situation and his deteriorating physical health.[1][dubious ]
"Love Don't Live Here Anymore" incorporated the use of the Electronic LinnDrum machine, and was one of the first songs to effectively use the sound reverbs of the instrument. LinnDrum had been used sparingly in their previous single "Do Your Dance", but in "Love Don't Live Here Anymore" its use was more spontaneous, which Dave Thompson, author of Funk noted as if "it virtually duetted with Dickey, creating one of the most distinctive records of the year—and one of the most imitated of the age."[2] The song was mainly recorded at music contractor Gene Bianco's house, where Rose Royce lead singer Gwen Dickey was present during the recording. Buckmaster recalled: "I was over at [Gene's] place almost every day with Norman, and some days I stayed away to write, or to mix the music. Gene had given me the keys to his apartment, and also let me use the piano to record the song. I didn't want to work on at Miles' because his piano was falling to bits."[1]

Reception[edit]

Kenny Hill from The San Diego Union-Tribune said that the song "was a lasting impression of Rose Royce's brilliance as a group" and it proved that disco and R&B soul music was not dead."[3] Frederick Douglas from The Baltimore Sun complimented the song saying that "with their soul ballad 'Love Don't Live Here Anymore', Rose Royce is poised to take their place in the musical landscape as the greatest soul group."[4] Bob Kostanczuk from Post-Tribune listed "Love Don't Live Here Anymore" as Rose Royce's greatest song.[5] Jim Mortimer from Deseret News felt that "Love Don't Live Here Anymore" was a perfect example of how gospel and soul music can be clubbed together and complimented producer Buckmaster.[6] Shannon Kingly from Los Angeles Daily News felt that "Love Don't Live Here Anymore" is "a tad bit overrated, and is full of shouting."[7] "Love Don't Live Here Anymore" debuted at 91 on the Billboard Hot 100, and made a slow climb, ultimately reaching a peak of 32.[8] It was more successful on the Hot Black Singles chart, where it reached five, and stayed there for four weeks.[8] In Canada, the song debuted at 100 on the RPM Singles Chart on December 23, 1978.[9] The song began a slow climb, and after nine weeks reached a peak of 41 on the chart.[10] It was present for a total of 12 weeks on the chart.[11] In the United Kingdom, "Love Don't Live Here Anymore" became Rose Royce's biggest hit, reaching two on the UK Singles Chart while in Ireland it reached a peak of number seven.[12][13] Across Europe, the song failed to chart except in Netherlands, where it reached eleven.[14] The song was successful in Australia and New Zealand, where it reached positions four and two on the charts, respectively.[14][15]

Track listing[edit]

  • 7" Single Warner
  1. "Love Don't Live Here Anymore" – 3:56
  2. "Do It, Do It" – 4:09

Credits and personnel[edit]

Madonna - Angel

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Angel 

From Wikipedia, the free encyclopedia
"Angel"
Madonna with rough, scrambled blond hair. She wraps a blue cloth around herself with her hands closing it on her chest.
Single by Madonna
from the album Like a Virgin
B-side"Into the Groove"
"Burning Up"
ReleasedApril 10, 1985
Format
Recorded1984
GenreDance-pop
Length3:56
Label
Songwriter(s)
Producer(s)Nile Rodgers
Madonna singles chronology
"Crazy for You"
(1985)
"Angel"
(1985)
"Into the Groove"
(1985)
"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985 by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12" single with "Into the Groove" in some countries and charted likewise. A music video was initially planned for the release, but was later cancelled. Instead a promotional video comprising clips from her previous videos was released in the United Kingdom.
Musically "Angel" consists of three chord ascending hook, which serves for the verse and chorus. It has vocal harmonies beneath the main chorus and the lyrics repeat the angel-like image of Madonna's saviour. Critical response to the song varied, with some music critics calling it a classic and others deeming it sub-par compared to Madonna's previous singles. "Angel" became the singer's fifth consecutive top-five single on the Billboard Hot 100 and reached the top of its dance charts. It was also able to reach number-one in Australia and the top-five of the charts in Canada, Ireland, Japan, New Zealand, Spain and the United Kingdom. Madonna has performed the song only once, on The Virgin Tour in 1985.

Contents

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Recording and release[edit]

"Angel" was written by Madonna and Steve Bray and released worldwide on April 10, 1985.[1] The song first began as a demo and was recorded as early as April 1984 for her second studio album, Like a Virgin. However, the whole project was held off, much to Madonna's frustration, by the continuing sales of her self-titled debut album, which had by then sold over a million copies in United States.[1] She had decided to release "Angel" as the initial single from the album, but changed her mind, after the recording of the title track "Like a Virgin" was complete. "Angel" was an ode to "a heavenly love" and inspired from Madonna's Catholic upbringing with the singer saying, "I think it's important to call angels to you to protect you... That's part of the ritualistic moment. The calling of angels."[2] The track was ultimately released as the third single, and included the song "Into the Groove", from Madonna's 1985 film Desperately Seeking Susan, on the B-side of the 12-inch maxi-single.[1]
Madonna had initially planned to release a music video for "Angel", but later decided to go against it, as at that time, there were already five Madonna music videos on-rotation in the music channels and were being broadcast continuously. Hence, Warner Bros. and Madonna felt that adding another video to the already saturated channels, might not be in her favour.[3] A promotional video, containing scenes from the music videos of "Burning Up", "Borderline", "Lucky Star", "Like a Virgin" and "Material Girl" was made by Warner Bros. Records and aired in the United Kingdom. The video was included on the promotional-only video compilations It's That Girl and She's Breathless.[4][5]

Composition[edit]

"Angel" begins with a laugh and an echo, panning from left to the right.[6] The song is built on an ascending hook consisting of three chord sequence, which serves for the verse and chorus. It consists of a constant 8th rhythm throughout the song, making it sound similar to the songs of the band Machine.[6] Vocal harmonies are also added beneath the main chorus. It is a two-bar phrase song, and laughter is again added as the song slowly fades out.[6] Madonna sings in her lower register at the beginning, and shifts to the higher one in the line "I can see it in your e-e-e-eyye-e-s". The line was taken from the song "Death Disco" (1979), by the British musical group Public Image Ltd.[7] According to the sheet music published at Musicnotes.com, by Alfred Publishing, the song is set in the time signature of common time, with a medium tempo of 133 beats per minute. It is composed in the key of G major, with Madonna's voice spanning from the high-note of G3 to the low-note of B4. The song has a basic sequence of Am7–Bm7–Cmaj7 as its chord progression.[8] The lyrics continuously repeat the angel-like image of Madonna's saviour.[6]

Critical reception[edit]

Rikky Rooksby, author of Madonna: The Complete Guide to Her Music, commented that "Angel" is a song "that is less than even the sum of its parts."[6] Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna's Drowned Worlds: New Approaches to Her Cultural Transformations, felt that "the pizzicato synthesizer line that opens 'Angel' was indeed classical Madonna."[9] John Leland from Spin called it a rehash of Madonna's previous single "Lucky Star" (1984), with "an even lamer melody and punch. [...] 'Angel' is Nile Rodgers doing what he does best: turning crass product into cash product."[10] Stephen Thomas Erlewine from Allmusic called the song "an excellent standard-issue dance-pop."[11]Sal Cinquemani from Slant Magazine called the song sugary.[12] While reviewing the album in 1995, Dave Karger from Entertainment Weekly felt that the song comes off as a bit repetitious and immature.[13] Alfred Soto of Stylus Magazine commented that "'Angel' is a particular stunner, certainly the apex of Rodgers' post-Chic skills. [...] It does a better job than the two big singles of delineating the boundaries of Madonna's determined shallowness, an act that confounds Philistines today and made the appreciation of her musical skills a lot harder than it took these critics to dismiss Cyndi Lauper as the real charlatan."[7] Nancy Erlich from Billboard called the song "romantic, uncontroversial techno-pop. [...] [Madonna's] reign continues as '85's premier media obsession."[14]

Chart performance[edit]

After its release, "Angel" debuted on the Billboard Hot 100 at number 48 on the issue dated April 27, 1985, while her previous single "Crazy for You" was at number-two on the chart.[14] After ten weeks, "Angel" reached a peak position of five on the chart. The song tied Madonna with Olivia Newton-John, as the female artist with the most consecutive top-five hits on the Hot 100 at that time.[15][16] "Angel" debuted on the Adult Contemporary chart for the issue dated May 11, 1985, and reached a peak of five. The song debuted at number 40 on the Hot Dance Club Songs chart on June 1, 1985, and reached the top after three weeks.[15][17] It also charted on a number of Billboard charts, such as reaching the top of the Hot Dance Singles Sales and the Hot R&B/Hip-Hop Songs chart at position 71.[17] On July 30, 1985, "Angel" and "Into the Groove" were together certified gold by the Recording Industry Association of America (RIAA) for the shipment of one million copies across United States—the requirement for a gold single prior to 1989.[18][19] It was the first 12-inch single to be certified gold, since Frankie Smith's "Double Dutch Bus" (1981).[20] "Angel/Into the Groove" placed at number 81 on the year-end chart for 1985, with Madonna becoming the top pop artist for the year.[21]
In Canada, the song debuted at number 80 on the RPM issue dated May 4, 1985.[22] After eight weeks, the song reached a peak of five on the chart.[23] "Angel" was present on the chart for 25 weeks and ranked at number 56 on the 1985 RPM Year-end chart.[24][25] The song was released in the United Kingdom with "Burning Up" as its B-Side, and debuted at number ten on the UK Singles Chart on September 9, 1985.[26] It reached a peak of five next week, and was present for a total of 12 weeks on the chart.[27] According to the Official Charts Company, the song has sold 205,000 copies there.[28] In Australia, "Angel" charted as a combined single with "Into the Groove" and topped the Kent Music Report chart for four weeks. It was the second highest selling single of 1985 in Australia.[29] The song reached the top 20 in the charts of Belgium, Ireland, Netherlands, New Zealand, Spain, Switzerland and the Eurochart Hot 100 Singles.[30][31][32][33][34]

Live performance[edit]

The song was performed as part of Madonna's 1985 Virgin Tour; it was the fifth song of the setlist. Madonna wore a blue see-through crop-top, revealing her characteristic black bra. She also had lacy leggings and crucifixes around an ear and her neck.[35] As she finished the vigorous performance of "Everybody", the lights were dimmed and the introduction music of the song started. Rotating lights fell on the stage. Madonna appeared sitting on top of the stairs and gradually descended. During the intermediate bridge, she and her dancers moved energetically around the whole stage, as white balloons fell on them from above.[35] Madonna continued singing as the lights were dimmed again. She finished the performance and disappeared behind the wings for a costume change.[35] "Angel" did not appear in the final home video release Madonna Live: The Virgin Tour.

Track listing and formats[edit]

Credits and personnel[edit]

Credits adapted from the album's liner notes.[44]

1950

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The Good Music Guide